Horror is that dime a dozen film genre where there is maybe one out of a hundred exceptional films. It’s a genre that can be experimented with by wannabe filmmakers trying to make a name for themselves, but very few succeed in making a career out of them that people actually like. You can name the few that do it with consistency and I think by now we can add Alexandre Aja to that list. Because Crawl is really quite exceptional.

The premise of Crawl sounds as if it’s been made before, but it’s original. The plot sounds ridiculous, of a gator film in a hurricane. And yet, we are carefully pulled into the story feeling the claustrophobic spaces in the basement as our two protagonists try to outrun and outsmart gators. Even when the ridiculous, and I mean ridiculous third act begins we buy it because the filmmaker cared to make us really believe this world in the beginning. Crawl is a tense film that will inflict jump scare after jump scare on you. It was a great experience when I saw this on the big screen with an audience that was screaming, and it worked just as well again at home.

Crawl_Cast

Apart from the horror, the story surrounds an estranged father and daughter relationship. The daughter was a champion diver trained by her father to go the distance, but we see that in time the coaching seemed to strain their relationship and she doesn’t seem him until he is in life-threatening danger during the hurricane. This gives us people to care about, which is the hardest thing for most horror movies to give an audience.

Crawl_Kitchen

I hope we get more monster films like this that have so much care attached to them. If you happen to catch the special features on the Blu-ray disc you will find the set is almost entirely practical, which blows my mind as I thought for sure it would require plenty of CGI. I recommend checking it out when you’re next looking for a monster movie.

Robert Ring

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